Hello Everyone,
below are some images of my CRANE. One is an informal practice in the theater at Skidmore College which attracted some curious walk by's who stayed to watch. The other is from some footage shot in up state NY, West Fulton. It looks like I'll be doing some craning in New Jersey at the top of February at Rowan College with our friend Melanie Stewart. Thank you Melanie!
And congratulations to all of you who've been performing - thank you for the news and for the images.
Rebecca most recently. If I find myself with some ribbon I'll send it to you. What a beautiful idea.
love to you all.
Will
Blog Archive
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2008
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September
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- another entry
- September 28
- yours truly as MacDuff
- Leon pre show Radio MacBeth
- 19 september 08
- more stuff
- DH
- 9/11/08
- coming home
- some thoughts on the final evening
- Final Group Practice
- Interps of some of the choreography
- Marielle & Joanne
- Fiona Millward dancer in DH's group dance GROPE FI...
- from a loved one and patron
- 5 September 08
- ... 4 September
- the altar
- home sweet home
- some reference
- 4 September 08
- 3 September 08
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September
(22)
Wednesday, December 16, 2009
Saturday, March 21, 2009
this is beautiful
If you don't know about TED.com, then I encourage you to go there and be prepared to have your mind blown - by anyone.
This is lovely.
http://www.ted.com/talks/view/id/453
This is lovely.
http://www.ted.com/talks/view/id/453
Tuesday, January 27, 2009
27 January 09
Hello and Happy New Year Everyone,
I'm just so curious now. I've begun seeking places and opportunities to show I'LL CRANE FOR YOU, but having little experience with the dance world and their venues wondering how to begin.
What's more I am so curious about whether anyone else has performed yet?
I know that Fiona did and am still waiting to hear all about it.
Anyone else?
All the best for now.
WB
I'm just so curious now. I've begun seeking places and opportunities to show I'LL CRANE FOR YOU, but having little experience with the dance world and their venues wondering how to begin.
What's more I am so curious about whether anyone else has performed yet?
I know that Fiona did and am still waiting to hear all about it.
Anyone else?
All the best for now.
WB
Wednesday, December 24, 2008
Tuesday, December 23, 2008
23 December
Good Evening everyone and happy holidays!
I've just added some video. I've finally begun to look at some of the footage of the 7 hour marathon I did at Skidmore College to raise money for the Commissioning Project. I've selected only the first 5 minutes or so. I think I'll try to add some of the later footage when I am dog tired just for fun.
I am inspired to do this and, well, just to think about it because our lovely Fiona from the August Project Workshop just performed her solo in Australia. I'm so curious to know how it all went. I think she did 4 or 5 days of performances along with one of her own creations. Good On Ya Fiona! Let us know. It makes me wonder how many others have performed so far or whether she is the first to show I'LL CRANE FOR YOU.
So here's something to watch and enjoy.
The practice for me is continuing apace. So much work in the meantime and finding time and space to practice has been a challenge. I haven't resorted to dropping my bags and simply doing 25 minutes in Hyde Park, or in the mall while Christmas shopping, or anything like that. I've been working between classes on the lunch break at Skidmore and finding studios and using the stage while touring St. Cloud, MN and Calgary, and the Court Theater in Chicago. But I'm making progress no question and looking forward to setting a date and a location.
What I've learned recently:
1. "Get what you need and nothing less" has everything to do with Time.
2. "I need the lab" has everything to do with focus and remaining in the moment so as not otherwise to go into a visual trance. Which is to say that it is easy to let the eyes fix and glaze over so that one is consequently inwardly seeing an designing one's movement. IT'S NOT THAT.
3. There is nothing to reach for.
4. I now understand better the admonition "just see what you are doing as (fill in the prompt/proposition/direction from Deborah's score).
5. It helps to actually let the score go and not try to do it at all. Once the sequence is familiar, just dance, and now and again remember what the sequence is.
6. It helps for me to dance for 20 to 30 minutes before practicing the performance with shape so that I can burn off or get rid of my "dancing ideas" vocabulary. It's better for me to work all that off with exhaustion and then dance what is left.
7. Spend 1/2 an hour on the floor and just deal with it. Try to get up. Humbling.
8. Remember again and again and again, "It's no big deal."
9. Remember again and again and again, "You can't do it."
10. I love Pina Bausch (just saw Bamboo Blues and enjoyed it).
Very best holiday wishes to all of you. More later. And thank you again for your support.
Bondo
I've just added some video. I've finally begun to look at some of the footage of the 7 hour marathon I did at Skidmore College to raise money for the Commissioning Project. I've selected only the first 5 minutes or so. I think I'll try to add some of the later footage when I am dog tired just for fun.
I am inspired to do this and, well, just to think about it because our lovely Fiona from the August Project Workshop just performed her solo in Australia. I'm so curious to know how it all went. I think she did 4 or 5 days of performances along with one of her own creations. Good On Ya Fiona! Let us know. It makes me wonder how many others have performed so far or whether she is the first to show I'LL CRANE FOR YOU.
So here's something to watch and enjoy.
The practice for me is continuing apace. So much work in the meantime and finding time and space to practice has been a challenge. I haven't resorted to dropping my bags and simply doing 25 minutes in Hyde Park, or in the mall while Christmas shopping, or anything like that. I've been working between classes on the lunch break at Skidmore and finding studios and using the stage while touring St. Cloud, MN and Calgary, and the Court Theater in Chicago. But I'm making progress no question and looking forward to setting a date and a location.
What I've learned recently:
1. "Get what you need and nothing less" has everything to do with Time.
2. "I need the lab" has everything to do with focus and remaining in the moment so as not otherwise to go into a visual trance. Which is to say that it is easy to let the eyes fix and glaze over so that one is consequently inwardly seeing an designing one's movement. IT'S NOT THAT.
3. There is nothing to reach for.
4. I now understand better the admonition "just see what you are doing as (fill in the prompt/proposition/direction from Deborah's score).
5. It helps to actually let the score go and not try to do it at all. Once the sequence is familiar, just dance, and now and again remember what the sequence is.
6. It helps for me to dance for 20 to 30 minutes before practicing the performance with shape so that I can burn off or get rid of my "dancing ideas" vocabulary. It's better for me to work all that off with exhaustion and then dance what is left.
7. Spend 1/2 an hour on the floor and just deal with it. Try to get up. Humbling.
8. Remember again and again and again, "It's no big deal."
9. Remember again and again and again, "You can't do it."
10. I love Pina Bausch (just saw Bamboo Blues and enjoyed it).
Very best holiday wishes to all of you. More later. And thank you again for your support.
Bondo
Saturday, November 22, 2008
November 22, 2008
Good Morning Everyone.
I haven't written in some time now. I've been healing as I said earlier. And, well, the days have been full and time has been short. And so finally recently I've been carving out moments to work and practice again. It is a good feeling to get back to it. And like anything else, time away can certainly impact positively how something is progressing. I think of listening to a scientist talk about how learning something is assisted by going to sleep. And later you realize that you know the thing you learned, a musical notation, a movement sequence, a memorized text much better - because in the "down time" or sleep or "away from ness" the mind has cleared away the extra chatter that is accumulated during the day which tends to cloud or impede one's ability to concentrate and learn. But actually, the brain is learning even when you are not consciously TRYING to learn something.
All by way of saying or forgiving myself for having taken time off to heal. Brother.
And so now I am in Chicago with SITI company performing RADIO MACBETH for the month of November at the Court Theater in Hyde Park on the south side. You ALL know Hyde Park now because it is the home of Barack Obama and his family. It is a lovely neighborhood full of really HAPPY people right now. We (the company) arrived the day before the election and witnessed and continue to experience the hangover bliss of that Tuesday night. One I will not forget to be certain.
And now we are well into the run and audiences have been fun and lovely. The theater has been incredibly supportive. We've (SITI) been workshopping at the same time a new adaptation of THE SEAGULL by our friend and playwright Michael West who came over from his home in Dublin to be with us for 10 days. So it has been very busy here.
I just received this link from one of the '08 commissioning project dancers Tania Soubry. It is an interview with Layard Thompson who has done 4 solo adaptations it seems. Here he is being interviewed about the work and about Deborah.
I haven't written in some time now. I've been healing as I said earlier. And, well, the days have been full and time has been short. And so finally recently I've been carving out moments to work and practice again. It is a good feeling to get back to it. And like anything else, time away can certainly impact positively how something is progressing. I think of listening to a scientist talk about how learning something is assisted by going to sleep. And later you realize that you know the thing you learned, a musical notation, a movement sequence, a memorized text much better - because in the "down time" or sleep or "away from ness" the mind has cleared away the extra chatter that is accumulated during the day which tends to cloud or impede one's ability to concentrate and learn. But actually, the brain is learning even when you are not consciously TRYING to learn something.
All by way of saying or forgiving myself for having taken time off to heal. Brother.
And so now I am in Chicago with SITI company performing RADIO MACBETH for the month of November at the Court Theater in Hyde Park on the south side. You ALL know Hyde Park now because it is the home of Barack Obama and his family. It is a lovely neighborhood full of really HAPPY people right now. We (the company) arrived the day before the election and witnessed and continue to experience the hangover bliss of that Tuesday night. One I will not forget to be certain.
And now we are well into the run and audiences have been fun and lovely. The theater has been incredibly supportive. We've (SITI) been workshopping at the same time a new adaptation of THE SEAGULL by our friend and playwright Michael West who came over from his home in Dublin to be with us for 10 days. So it has been very busy here.
I just received this link from one of the '08 commissioning project dancers Tania Soubry. It is an interview with Layard Thompson who has done 4 solo adaptations it seems. Here he is being interviewed about the work and about Deborah.
http://dancetech.ning.com/video/video/show?id=1462368%3AVideo%3A23958
I don't know Layard Thompson but I imagine many of you do. Perhaps this will be interesting to you.
Okay, going to get this body going and find time to do some work before the 2 RADIO MACBETH performances today. I'll practice either before, or in between the matinee and the evening show.
Best wishes to all of you and gratitude for your good wishes to me.
Bondo
I don't know Layard Thompson but I imagine many of you do. Perhaps this will be interesting to you.
Okay, going to get this body going and find time to do some work before the 2 RADIO MACBETH performances today. I'll practice either before, or in between the matinee and the evening show.
Best wishes to all of you and gratitude for your good wishes to me.
Bondo
Wednesday, October 22, 2008
pain
Hello Everyone,
In case you are looking and wondering, I've hurt my back and have forced myself not to train, or yoga, or PRACTICE in order to heal. It's driving me mental, but there it is. I hope all of you are safe and healthy, thriving and productive.
Very Best,
wb
In case you are looking and wondering, I've hurt my back and have forced myself not to train, or yoga, or PRACTICE in order to heal. It's driving me mental, but there it is. I hope all of you are safe and healthy, thriving and productive.
Very Best,
wb
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Poem of the day (or whenever I change it)
"Odysseus"
Always the setting forth was the same,
Same sea, same dangers waiting for him
As though he had got nowhere but older.
Behind him on the receding shore
The identical reproaches, and somewhere
Out before him, the unravelling patience
He was wedded to. There were the islands
Each with its woman and twining welcome
To be navigated, and one to call ``home.''
The knowledge of all that he betrayed
Grew till it was the same whether he stayed
Or went. Therefore he went. And what wonder
If sometimes he could not remember
Which was the one who wished on his departure
Perils that he could never sail through,
And which, improbable, remote, and true,
Was the one he kept sailing home to?
By: W.S.Merwin
Always the setting forth was the same,
Same sea, same dangers waiting for him
As though he had got nowhere but older.
Behind him on the receding shore
The identical reproaches, and somewhere
Out before him, the unravelling patience
He was wedded to. There were the islands
Each with its woman and twining welcome
To be navigated, and one to call ``home.''
The knowledge of all that he betrayed
Grew till it was the same whether he stayed
Or went. Therefore he went. And what wonder
If sometimes he could not remember
Which was the one who wished on his departure
Perils that he could never sail through,
And which, improbable, remote, and true,
Was the one he kept sailing home to?
By: W.S.Merwin


